“You may think that the biological threat is the most important. But trust me, there will be other, maybe even more terrible. But the pandemic is not stopping the life, and only a test. This is our life: we are not able to use the draft, or put it on pause. So I’m very interested to hear how you adapt to your new reality,” addressed the students Mikhail Shvydkoi.

the First voice from the future was the performance of Anastasia Korabelnikova that in 2030 became the leader of the enterprise.

“We came to the conclusion that the need to compete and cooperate with large commercial companies. When several different industries create a common project, it is better adapted to the conditions of a pandemic”, – said Anastasia and talks about the successful performance of “the Feast”, in which involved actors, restaurants and food delivery services.

the Actors are sitting at the table, toasts, are philosophical conversations, read by well-known authors and eat. The author’s food for the play to develop the best restaurateurs, and everyone in the audience gets it before the show. And here the viewer is sitting at home on the couch in VR glasses (virtual to be at the table with the actors), looking, listening and tasting the same food.

Sergei Okunev, who got the role of artistic Director of one of the leading theatres continues to develop the theme of boundless technical possibilities. In the course of going virtual and augmented reality, VR glasses, and even artificial intelligence that can tell the actor when to improvise and when to follow the author’s text. Sounds very tempting, because none of us still have not seen “hamlet” through the eyes of Horatio.

“That is, theatre is not a temple but a football stadium” – a slightly cools the ardor fantasy student Mikhail Shvydkoi.

“the theater Director” Marina Mirzoeva, trying to reassure Mikhail Yefimovich and offers a compromise. Actors can perform a play on stage in real time, and the audience watching them with the help of augmented reality glasses. Or, for example, the actor comes to the home audience, and they communicate one-on-one. If there is no hard limit, it is possible to organize street performances in the form of a quest, when the viewer moves from one actor to another. Finally, equip the room transparent individual capsules for every viewer.

“the program Director of the theatre festival” angelina Filatova went even further and suggested the use of holograms to performances you can watch right in your living room. And the actors could play out of the house in the background of chromates that with a light hand the technical crew would be turned in to any decoration.

Children’s theatre, according to his “Directorand” Tatiana Guseva, will exist solely online, and will offer young viewers not only performances, but also a huge number of remote groups.

Mikhail Shvydkoi added that children’s theater will find a lot of unexpected twists and turns, and the farther, the stronger technological component. “But that’s the danger. Now have a new generation which has problems with the sense of reality. Can still children’s theatre should return to its roots?”, – he muses.

all of a sudden against the newest technologies made “the head of the international theatrical project” Maksim Melamed. “Theatre is a living interaction of the actors with the audience and nothing else,” he said and invited everyone to a real live performance… in the underground theatre. “In 2022, scientists have found that at a depth of 200 meters the viruses go dormant and become infected, it is impossible” – he reveals his know-how.

In 2030, the Ministry of culture will actively develop and maintain various digital platforms and projects, and to lobby the law on patronage, to every cultural institution has its own airbag.

a global telecommunications network “Culture” will not only show the best performances and concerts, but also to create your content, using the robotic survey systems.

In the music industry the major players will be a streaming platform, which not only plans to immerse people in virtual reality concerts, but also to improve their psychological health using a neural network.

“the Director of the music label” Elena Agafonova adds that hits will create artificial intelligence, as an additional source of income will be the development of virtual games.

“the curator of the gallery of modern art” Alex Hodorogea offers to think practical and to provide financial independence. The future, in his opinion, for the endowment funds.

And Alina Sosnowski, “the Director of the art Biennale”, insists that freedom is the key. To maintain this freedom, in the midst of a pandemic, the audience and the tickets will be to purchase a protective suit that he can create himself, retaining their individuality. And to travel between different sites will be for small engines with transparent capsules. “We are not afraid to live offline!” – she voiced the message of the Biennale.

Teachers, evaluating the performance of their students, noted that he would like to live in 2030. According to them, there were a lot of ideas that you can begin to implement now.

And reconciled all Mikhail Shvydkoi, Recalling that in the late XIX century, people did not know what to do with horse manure in the streets, and then there was the car. “You should always be prepared for unexpected discoveries,” concludedIl it.