350-minute journey into the past is perpetrated by the authors of the revision of the established ideas about the Hollywood of those years as the focus of the desires of young talent, aspiring to the capital of the world film industry for fame and success.
the Morals of big Hollywood studios are considered from positions of the new tolerance of today cinematic behind the scenes of the 40’s looks like a jungle, where the strong humiliate the weak, where there is the savage inequality of the sexes, races and individuals. The authors, of course, do not go past the sensational “discoveries” of the feminist movement #MeToo showing influential producers lustful animals, who is eternally existent in the hunt for the pretty starlet and cute boys.
It is the rampant permissiveness and sex under the guise of a respectable pipeline, making the dream for millions, was the actual content of this retro show. On the show hung in dense shade to Harvey Weinstein. His forefathers and peers in the series, breaking the fate of the innocent victims caught them in the claws. Hard for anyone who villevaude common standard: blacks, Latinos, gays – they focused the attention of the authors. In this unclaimed world is no place for sincerity, must all play their roles, all desperately fighting for a place under the spotlight.
Actually the art of making has conquered the world of Hollywood movie behind the scenes. In interviews, screenwriter, producer and Director Ryan Murphy says that the series is dictated by sympathy for the idols of the crowds, which, to make it to movie screens, had to live a lie and feel like second-class citizens.
Among the fictional characters of the series, and glimpses of real-life celebrities of those years is Chinese Anna may Wong, the black Hattie McDaniel from “Gone with the wind”, handsome Rock Hudson in the halo of the rumors about his homosexual. Their stories are given whole episodes, but it’s nostalgia, much adjusted by a desire to get “the wave” – commercial effective shaft latest sensational revelations. And then the dirty Laundry, like a banner fluttering triumphantly over the latest Netflix hit, arousing the curiosity of the observers: “so, tell me everything!”.
Murphy said that all three of these hero’s flown away into the past of the tabloids, had they to the present day, would be amazed, watching today the Oscar goes to the film from Korea, like the Hollywood gay walk with a proudly raised head, as there is a growing movement for equality for black actors, and places white in the latest Superman blockbuster is black Superdome. For Murphy troubling him, taken from life stories are largely personal in nature – and his own history of exploration of the space in the Hollywood film industry. Hence the undisguised sentimental notes, which determined the whole tone of sirIALA: love letter forever bygone past.
