Moscow guests on its stage took Russian Big drama theatre named after Vasily Kachalov. Tour well matched with the resolution to fill the theatre halls are already at 70 percent. But adjustments to Billboard, the pandemic is still made. As told by festival Director Maria Revyakina, had originally planned to bring four productions. And show them in addition to Kazan, Naberezhnye Chelny, Buinsk and village Big Etna. But in the end had to limit the capital of Tatarstan and cutting it in half. In addition to the “fomenok” your performance will bring the Moscow theatre named after Pushkin.
– these are two completely polar the work of different Directors – “a Midsummer night’s Dream” staged by Ivan Popovski and “the Good person of Szechwan” by Yury Butusov, with magnificent actors, – said Maria Revyakina. – I really love them and believe that they not only give the greatest pleasure, but leave an incredible memory when remember everything to the smallest detail.
“Fomenko Workshop” came an all-star cast – then and Karen Badalov, and Galina Tyunina, and Oleg Niryan, and Kirill Pirogov. According to the theater Director Andrei Vorobyov, for this production was selected not romantic and easy translation of Shakespeare’s “Midsummer night’s Dream” Tatiana Shhepkinoj Copernic and hard, chopped the text of Hosea magpies. Comedy lasts almost three and a half hours, but sparrows has assured that the audience will not notice how time will fly by. And he did not exaggerate.
the Audience from the first to the last minute it was never boring. What is happening on stage and around it tightened and wouldn’t let go. Even before the curtain opened, and somewhere in the back row, suddenly there was a philostratus, singing, paraded in buskins tall platform to the stage. That is, the borders of the stage – conditional. Throughout the play the characters “broke” in the space of a hall, arranging the chase between the rows, then suddenly appearing on the balcony and exchanging remarks. Slapstick and almost acrobatic stunts are organically woven into the fabric of Shakespeare’s comedies, and played a role no less than dialogues monologues.
Demetrius says, “I don’t love you. Leave me alone, go away…” forced to drag clutching a stranglehold Elena so that the audience fall with laughter. Here is with his love.
the Elf Robin performed by Hambardzum Kabanana (aka the play philostratus) was impressive truly inhuman flexibility. He seems to be invisible to mere mortals, but in the thick of things and manipulates everyone. The character’s body if transformirovalsya in the eyes of the audience, flowing from one state to another.
But the impromptu with the national colors. Lysander, speaking with Elena suddenly exclaims: “Min Shin the yarat!” In translation from the Tatar – “I love you”. The audience certainly appreciated all these Shakespearean freedom and lightness. At the end of itancov that happens in the play is a dream. And here anything is possible.
Now in Kazan waiting for the Pushkin Theater. Fifth-and sixth of October on the stage of Tatar drama theater named Kamala – “the Good person of Szechwan”. The role of the main heroine of Brecht – Alexander Ursulyak.
