Late-night talk from Berlin: The moderator duo Kim Fisher and Sebastian Fitzek have invited seven guests to the “Riverboat”, but this evening is actually all about singer Alvaro Soler and his gift of transforming established women into giggling girls to transform.
Friday the 13th: Kerstin Ott had bad luck on her way to the “Riverboat Berlin”: cable fire at the train station, no chance of a working train connection, the pop singer had to change to a car. And the potential GNTM star Lieselotte Reznicek is also spared luck: “My hair isn’t sitting!” Well, if that’s your biggest concern: free!
So it’s better to swap today for the day before yesterday: actress Barbara Schöne, almost 75 years old, raves about her early years on stage and about the strict Inge Meysel, from whom the young Barbara once learned a lot, but: “She was already a very nice carrion”. “Tatort” inspector Martin Brambach sinks into thoughts of the time when he met his current wife – the actress Christine Sommer – and moved to Recklinghausen because of her. “What constitutes happiness has changed a lot in the last ten years,” he admits.
And even Alvaro Soler, just 31 years old, is reminiscing: about the boy who was born in Spain, grew up in Japan and tried his voice there in the karaoke bar, but then studied product design first. He jumps from one memory to the next, but presenter Kim Fisher forgives him for everything in the state of shock love: “It doesn’t matter what you’re talking about, it’s just so beautiful.”
Possible model Lieselotte Reznicek is also blown away by the young singer: “Your modesty, I think to myself, we are soulmates, I like that so much,” she praises herself and him at the same time, slightly incoherently. Soler cannot avoid hugging Lieselotte, who is now completely losing her inner balance and is already dreaming of being “40 years younger again”.
“I think we’ll adopt him,” suggests Bettina Tietjen. Fisher rebels: “I wouldn’t adopt him, I would have other ideas.” Imagine three older men talking about a younger singer – the shitstorm would be inevitable. Menopausal suggestiveness, on the other hand, still seems to be socially acceptable.
Ostrock musician Lieselotte meanders from one topic to another, completely enthusiastic about herself and her late model career and her musician heart, but also about Heidi and the way Kim Fisher and Heidi straighten her hair, which – how I said – today I really don’t want to sit down. Listening to Lieselotte is like being swept away by a gentle stream of nothingness.
For “Riverboat” guest Kerstin Ott, time is running out in the face of such emotional escalation, but she answers so briefly and concentrated that the broadcast schedule, which Lieselotte has slipped, is slightly relaxed again. This even gives actress Anna Schudt a chance to speak, who was recently murdered in the “crime scene”. She tells of sex scenes, of devotion and strong women who take men as they want, but just as things are getting seriously exciting, the “Riverboat” band is already playing the final chord. And who is to blame for the skewed airtime distribution? Alvaro Soler and his effect on women in their prime.
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