On the Theatre square in podkarantinnoy future with obvious optimism. Already on September 6 at the Historic Bolshoi theatre will take place opening of the season in “don Carlos” by Verdi will sing Anna Netrebko, Yusif Eyvazov, and Ildar Abdrazakov. Other Big plans on 245 season says Sergey hodnev.Of course, precautions had not been canceled: at the entrance to the theatre building to the public will measure the temperature, use masks and distancing required, to sit in the hall of private audience, not including each other in family relations, will be at the distance — well, rehearsals should also pass according to the approved CPS rules, the abolition of which it is not.But open borders in the foreseeable future is clearly a Big counts. At the end of October the theatre will perform twice Placido Domingo: October 21, as a conductor, 24th as a member of the Opera gala-concert.In December there will be a Grand tour of the orchestra of the Bolshoi Tugan with achievem by Austria and Germany in March 2021, the orchestra, soloists and choir will travel to Toulouse and Paris; the ballet company will perform in Israel, “a hero of our time” (March-April), and in Argentina, the scene is the Buenos Aires Teatro Colon— “Swan lake” (may-June).Courage — a good sign: although many large theaters doing badly, and some, like the Metropolitan Opera, and is closed at least until the New year, the global industry is still making plans. Speaking of Metropolitan: new York theatre Big as it is known, started three Opera coproduction — the production of “Aida”, “Salome” and “Lohengrin”. The fate of “Aida” by Verdi, was first to show on the new York stage, is still unclear, but “Salome” by Richard Strauss, Big show, and this season (premiere on February 21 at the Historical stage; the conductor- Tugan Sokhiev).David Alden, another eminent Director, Moscow public already familiar briefly (his “Billy Budd” probably remembered by many), July 21, will release the New stage premiere of Handel’s Ariodante — a new edition of his show, once went on stage English national Opera. A course on systematic exploration of the Baroque repertoire thus continues, with ongoing work outstanding, beautiful and famous — even though our scenes Handel’s Ariodante is hardly ever raised. Furthermore, this will be the increment of the circle who worked in a Large well-known conductors”of baracnicka”: musical Director called spectacular Maestro Gianluca Capuano, a protege of Cecilia Bartoli and artistic Director of the Monaco orchestra, Les Musiciens du Prince.Past the 180th anniversary of the birth of Tchaikovsky, the theatre will celebrate its new production of “Mazeppa,” (premiered June 23). Together with Maestro Sokhievth performance prepares Evgeny Pisarev — too familiar with the Director’s name. But here too, if you remember his loud “the Wedding of Figaro and the Barber of Seville”, familiarity is not too promising. In the record of the latter mainly work in theatres-middling like the Lausanne Opera, the Korean national Opera or the theatre du Capitole de Toulouse, plays the pretentious, the false-meaningful, but empty — but how do we know “Tosca” from this series come out — and it happens.The development of the Great Chamber scene (the former Chamber music theatre named Pokrovsky), not given in the past season, will continue into the next. However, the original intention to invite for Opera productions by young Directors from drama the Directive does not look. “The pearl fishers” by Bizet (premiere December 3) puts Vladislav Nastasi, known in particular for his work in “Gogol-center”, but “Moscow, Cheremushki” Shostakovich (March 18) — Ivan Popovski. A doublet of the one-act “the Diary of Anne Frank” by Gregory fried and White rose Udo Zimmermann (6 may), the clever Manager Hans-Joachim fry, famous for the youth and not the Director’s viability, and more friendship with Vladimir Putin.But the three-act ballet, the premiere of which was scheduled for March 26 this year, opening season show (18 December). “Dancemania” to music by Yury Krasavina puts the Yekaterinburg ballet artistic Director Vyacheslav Samodurov, “the seasons” to music by Glazunov — the Prime Minister of Great Artemy Belyakov, and ballet “Made in Bolshoi” — Anton Pimonov. All as scheduled, only Anton Pimonov during this time became the artistic Director of the ballet troupe of the Perm Opera and ballet theatre.Wide ballet audiences will not be left without their main consolation big and expensive scene performances with literary provenance. Great invited German choreographer Christian Spoke, whose “Anna Karenina” is in the musical theater of Stanislavsky. The New stage Spook put to the music of Dvorak and max Richter’s ballet “Orlando” (premiere March 24) — obviously, after his eminent colleague Marco Hecke, ten years ago released its “Orlando” based on the eponymous novel by Virginia Woolf.On the historic stage of the season will be closed new ballet “the Seagull” (premiered July 1). This manner, not so much new as more or less forgotten old (in Soviet practice of the last century this enough), the Posokhova has led to two joint work with Kirill Serebrennikov — “Hero of our time” and “Nureyev”. In “the Seagull” Director will be quite different — young Alexander Molochnikov from the Moscow art theatre, which is on the Chamber stage of the Bolshoi staged one-act Opera by Gian Carlo Menotti last year. But the composer is the same: as in the case of “a hero of our time” and “Nur��eve”, the score of a new ballet was written by Ilya Demutsky. He thus confirmed his loyalty ultrarecall at present the path ballet of the composer, and Big — dedication to the late Soviet tradition: forty years ago in the theatre was the ballet “the Seagull”, written by Rodion Shchedrin for Maya Plisetskaya.
