https://www.mos.ru/upload/newsfeed/newsfeed/Gl_Grishkin(549).jpg

In Moscow, began accepting applications for the annual competition “Moscow restoration — 2020”. This jubilee year — the award will be presented for the tenth time.

Winners in the nominations “For the best restoration project and/or the best project fit for modern use”, “For high quality repair and restoration work For the best organisation of repairs and restoration”, “For scientific research and/or scientific-methodical manual” will determine in October, and then solemnly will be awarded at the end of the year.

the Portal mos.ru remember 10 interesting restored monuments, recognized as the best of the best in recent years.

Address: prospect Mira, possession of 119, building 58 (territory VDNH)

date of build: 1950-1954 years

the winner of the contest in 2018.

Pavilion No. 58 “Farming” until 1964 called “Ukrainian SSR”. Built on the same spot in 1937, the wooden building was dismantled 10 years later, and in January 1949 the Ukraine was a closed competition to design the new building. It was won by the work of architect Alexei Doing.

Repeating rectangular plan of the former pavilion, the authors increased the number of rooms. In the centre appeared a round hall with a dome, above which rises a tower surmounted by a spire with a star. The decor of the facades used ceramics, majolica, enamels, stained glass and bas-reliefs. At the four corners of the cornice are figures of girls with Laurel wreaths, beside the main entrance is a sculptural group “Stakhanovites of industry” and “Stakhanovite agriculture”, created for an old building, and the memorial stele-flagpoles.

To the beginning of restoration-repair works in 2017, the pavilion was in poor condition.

“In the area of the roof was destroyed by internal drainage. In the operation of the building was the scene of potapljanja, elevations continuously wet, and the design is rotten in some places. Also in the pavilion was heating, even though the original project, not expected. As a result, the falling stucco, was some dry corner pilasters,” says the author of the restoration project Mr Pokachalov.

the Pavilion was rebuilt in its original form is restored facades, plinths, platforms, stairs, roof, tower and spire, the attic of the portal of the main entrance of the stele. It was also renovated sculptural complex — reinforced internal structure, removing dirt, layering of paint, scree and bioporazheniya, restored the loss of forms and glazes, done painting and weathering.

During the restoration in the building had a new communication. The pavilion is the center of Slavic writing “Word”, open more than a year ago.

Pavilion No. 5 at VDNKH will return to storycal appearance of the Pavilion “the Microbiological industry” will return the appearance 1954

Address: prospect Mira, possession of 119 (territory VDNH)

date of build: 1954

the winner of the competition in 2019.

the Fountain “Friendship of peoples” — one of the symbols not only of VDNKH, but Moscow. It is a complex system of 784 jet, which reaches a height of 20 meters. The composition is based is the oval basin of the fountain, crowned with ears of wheat, industrial hemp and sunflowers, woven into a large bundle. There are gilded statues of women — symbols of the Soviet republics. Each in the hands of agricultural plant that is often grown on the fields of the Republic, cotton, grapes, wheat. The weight of each gold sculpture is 2.5 tons, and height — four meters.

During the restoration of the statue was dismantled and transported to the workshop where over them four months working 25 professionals. Masters took about five kilograms of gold leaf to cover the sculptures.

Experts have restored 16 cast iron sinks in the cascade of the fountain, have recreated the lost copper sculpture (15 SEM fishes and dolphins), and restored the two surviving. In addition, it has been restored granite veneer fountain of polished red granite, and crushed.

Miusskaya depot, Grotto in Kuskovo and fountain “Friendship of peoples”: the memorable “Moscow restoration — 2019”

Address: Komsomolsky Prospekt, 16/2, building 1

date of build: the beginning of the nineteenth century

the winner of the contest in 2014.

In the years 1807-1809, this place was built a complex of Khamovniki barracks with the existing house Church. In 1830-e years it housed fire and police station with watchtower. As long as people lived in low-rise buildings, the fire could be seen from a distance at the rising column of smoke. In the early nineteenth century with the development of construction in large cities began to appear in the special tower — tower, which allows you to see the smoke as early as possible. Designed in the Empire style, the tower was completed, a copper dome with eight-meter spire. In 1878, the increased height of the arched passage in the center of the main facade of the building.

In the 1920-1930-ies in the Khamovniki barracks buildings housed communal apartments, which greatly changed the interior layout.

In 1941 the upper part of the tower was demolished, since it could serve as a landmark for German pilots. After the war the building was transferred to the Military political Academy imeni V. I. Lenin (now Military University of the Ministry of defence of the Russian Federation). In 2011-2013, the restorers have recreated the lost part of the tower, to return the building its original appearance. Now the buildings are again housed the fire Department.

Horse-drawn wagons, and steam cars: all started with fire protection of Moscow From the orders of Tsar Alexei Mikhailovich to motorschow: 370 years of fire service

Address: Staraya Basmannaya street, 23/9

date of build: 1803-1806 years

the winner of the contest in 2013.

the Main house appeared on this place in the middle of the XVIII century. In the early nineteenth century the building was reconstructed in the style of the Moscow classicism. In 1815-1822 years the building was owned by Senator Ivan Matveevich Muraviev-Apostol, the father of three of the Decembrists. Since 1844 it housed an orphanage, and after 1917 — the communal apartments, a school and a dormitory. In 1986 the estate was opened the Museum of the Decembrists, who in 1991 was forced to close due to an emergency condition. In 2000, the building began a large-scale scientific restoration, initiated by the descendant of muravyovs-Apostles — Christopher.

“the Most difficult was the restoration of the wooden frame. Manor ground floor stone and the second floor and attic have wood floors. We were able to replace individual pieces — just the decayed areas”, — says the author of the restoration project of Larisa Lazareva.

restored the layout of the mid-nineteenth century, all built later, the partition removed. In 2013, the mansion gained the status of the House-Museum of Matthew Muraviev-Apostol. The basis of the exposition are the gifts of the descendants of the family.

“Our goal was to leave as much as possible authentic materials and objects plan and as little as possible to do the reconstruction. The stucco decoration on the ceiling has the characteristics of mid-nineteenth century. The most interesting part of the building is, perhaps, dance hall with choirs. It still has the original bas-reliefs, made serfs of the owner of the house,” adds Larisa Lazareva.

Address: Ryazanovskoe settlement, village Ostafyevo

date of build: 1801-1807 years

the winner of the contest in 2017.

Manor Ostafyevo belonged to the famous families Vjazemsky and the Sheremetevs and is associated with many prominent cultural figures. It was visited by Nikolai Gogol, and Aleksandr Griboedov, Denis Davydov and Evgeny Baratynsky. From 1804 to 1815 in Astafieva lived the historian Nikolai Karamzin. He was married to the daughter of the owner of the estate, Prince Andrei Vyazemsky — Catherine and it was here he wrote the “History of the Russian state”. In Astafieva reading Pushkin, Pyotr Vyazemsky’s poem, created in the autumn of Boldino.

At the beginning of the XIX century, the mansion was built the Palace in the style of Mature classicism, in the same period were created and Park ensemble. At the end of the XIX century the owner Ostafiev was count Sergei Sheremetev. In 1899, the centenary of the birth of Pushkin — he has turned the mansion into a public Museum Pushkin. After the revolution, Ostafyevo nationalized, but the Museum has preserved. However, after n��how many years it organized a sanatorium.

When the modern restoration, it was decided to focus on an initial draft.

“a Lot had to recreate from scratch. Everything was redone, the gallery built up. Usually on the monuments we find traces of finish. Here she was completely lost. All the plastering, all the decor was shot down, and it’s almost gone. In one of the rooms — the large living room — we found one fragment of plaster with traces of picturesque ornament. This was the starting point,” says the head of the restoration project of Evgeny Zhurin.

In the work of the experts used old photos, analogs, and miraculously preserved the project of the turn of XVIII–XIX centuries, the author of which is unknown. One can only speculate whether it was Ivan Starov, Matvei Kazakov, Nikolay Lvov or someone else. The project was recreated floor plan, stucco facades, as well as the Belvedere, dismantled in the mid-nineteenth century. Restored interiors of the era of the princes vyazemskys: main enfilade of rooms, the private rooms of the owners, the oval room (“pink ring”).

From the wing to the manor in the style of classicism: the history of the Moscow restorers As 200 years ago: in the estate Ostafyevo will restore the historic birch grove

Address: Starosadsky pereulok, 9, building 1

date of build: the end of the XVIII — beginning of XX century.

the winner of the contest in 2017.

In 1672-1739 years the plot of land where the building of the modern library, owned by the family of clerk James A. Baybakov. On the plan of 1756 recorded ground-floor (on basement) residential stone chamber, and in terms of the 1802 — built up to three floors.

In the nineteenth century, the site acquires a tea merchant Alexander new, who is married to aunt Fyodor Dostoevsky. In the XX century, the house ceases to be residential. In 1901, after purchasing the mansion of the Moscow merchant society auxiliary clerks of the buildings of XVIII–XIX centuries is embedded in a new building with a façade in the eclectic style. In 1912 on the site going on a number of reorganizations.

In 1938, moved here a Historical library (including archives Chertkovskaya library). In 2013, the technical condition of the library building was assessed as unsatisfactory.

as a result of repair and restoration work, was restored to its historical appearance of the mansion, including a restored facade fragments of earlier periods, enhanced load-bearing structures, restored brickwork, the portal of the main entrance and the parapet of the roof. In its original form appeared in the staircase. During its restoration it was discovered a wonderful metal springs hidden under an old wooden panels. Also a restored historic layout and decoration of the premises.

Address: the square of Tverskaya Zastava

installation date: 1951

the winner of the contest in 2017.

a monument to the writer Maxim Gorky square, Tverskaya Zastava was created in two stages. In 1939 it was the work of sculptor Ivan Shadr and architect Michael bard, however, they prevented the war the project was stopped in 1941. In 1946 to complete his entrusted team of sculptors, headed by Vera Mukhina. The pedestal and the stylobate of the monument was designed by architect Zinovy Rosenfeld, author of the square. The monument, which amounted to square a single ensemble, was opened on 10 June 1951. In 2005 due to the reconstruction of the square at the Belarusian station sculpture Gorky moved to the Park of arts “Muzeon”.

“the Monument was dismantled and stored separately from the pedestal. Not all the granite blocks were signed and marked, and part of them were lost. All this had to be measured, collect the pedestal like a puzzle on the computer. The missing steps and slabs had to be ordered and finished. It should be understood that the same field stone can be a different color. In addition, granite over time, absorb pollution, they formed micro-cracks, changes color,” says the chief architect of the project Alexey Zhdanov.

In 2017, the monument to the writer returned to his former place. Around the monument are laid new tram loop and a small square.

Returned 12 years later: the history of the monument to Maxim Gorky

Address: , Bolshaya Nikitskaya street, the house 36, building 1

date of build: 1848

the winner of the contest in 2018.

the Parish Church of the ascension at Nikitsky gate is known from 1619. At the end of the XVIII century Prince Grigory Potemkin decided to build a new big Church. The construction was carried out in 1798-1848 years. At the time it was created and reworked by architects Vasily Bazhenov, Matvei Kazakov, Osip Bove, Fyodor Shestakov. Completed the construction of Afanasy Grigoriev. In General, the building of the temple is designed in the styles of the Moscow Empire style and classicism.

In 1831, in one of the chapels of the unfinished Church was married to Alexander Pushkin and Natalia Goncharova. In 1917 the Church became a witness of the terrible fights between the cadets and the revolutionary groups, here read the burial service over the dead. In 1922, the Church looted, but the service continued. In the 1930-ies the Church was closed, then demolished the bell tower. Divine services were resumed only in 1990, and in 2002-2004 was rebuilt bell tower.

In the years 2017-2018, the conservation and restoration of paintings in the interiors of the temple, including the walls and vaults of two chapels, the Central altar and the cupola, reinforced plaster layer and removed samolevskaya soot on the walls and arches, the restored surface of the suitstvennogo marble and stucco.

Five centuries of Russian history: the fate of the legendary temple, where Pushkin was married

Address: Staroobryadcheskaya street house 31A (Rogozhskoye cemetery)

date of build: the end of XIX — beginning of XX century.

the winner of the contest in 2016.

the Rogozhskoe cemetery was founded in 1771 during plague epidemic in Moscow. Since then, the necropolis includes a family burial ground of the old believers, including the richest merchants of Russia. These include the famous Morozov kind. The tombs of the members of this family fenced iron ornamental fencing.

In 1861, with the beginning of the family graves, there was a white stone carved memorial cross. At the site buried the head of the famous merchant family Morozov Savva Vasilievich with his wife Ulyana Popovich, their sons John and Timothy and his wife Maria Feodorovna, grandchildren and other family members. After restoration the complex art of tombstones was returned to its historical appearance.

the Most famous of the family is Savva Morozov, businessman and philanthropist. He ran one successful and progressive production in Russia in the late XIX century, Nikolskaya manufactory. Frost personally monitored the condition of the workers in his factory, for example, began to pay workers a maternity allowance. He also allocated funds for scholarships to students of the capital and foreign universities, has assisted the Moscow art theatre, including was the initiator of the construction of a new building in Kamergersky lane, and also supported the movement of the Bolsheviks, financed the edition of the newspaper “Iskra”.

Savva Morozov died in may 1905 in Cannes from a gunshot wound to the chest.

According to the official version, he committed suicide. But still some believe that it was murder.

Address: station “Kiev” Arbatsko-Pokrovskaya line of the Moscow metro.

creation date: 1953

award Winner in 2013.

the Theme of the station “Kiev” Arbatsko-Pokrovskaya line of the metro dedicated to the everyday life of Soviet Ukraine: on the pylons of the Central and side halls hosted story mural in the style of socialist realism. On the front wall of the station — scale (24,5 meters) panel picture “Folk festival in Kiev” dedicated to celebration of the 300th anniversary of the reunification of Ukraine and Russia. In 2010, due to severe leaks wall is in disrepair, and the fresco is almost completely crumbled.

reconstruction began in 2011. Experts were guided by the original project: the archive of the Museum of architecture Schusev found negative historical photographs of 1954. It became the basis for the reconstruction of frescoes. This historic photo was different from the images of 2000-ies, as in the 1960-1970-ies on the panel, there have been numerous updates and posts that has distorted his coloring and composition.

“the station has carried out work to strengthen metalloizdeli end walls and reconstruction of the plaster layer. At the same time in the Studio made the first complete reconstruction of frescoes in the 1:1 scale. Experts around the world have been recreated, the illumination of the frescoes in the conditions underground. Work was conducted around the clock, from passenger restorers were separated by a remote partition that was installed two feet away from panel. This distance is insufficient for perception of the whole and the creation of works of monumental painting. Therefore, the finished mural No. 1, made in the workshop, were cut into pieces and brought to the station. Exactly copying these fragments, the experts recreated the final mural No. 2. Part of the work was conducted at night — this was due to safety regulations at operation of object with intense passenger traffic”, — says the head of restoration works on painting Michael Simagin.

as conditions in the subway are not the best for storage of painting restoration, the Commission decided to reconstruct the panel with silicate paints.

“These materials have proven themselves in practice. In fact the process they are similar to the mural as “crimninal” paint becomes one with the wall, but also allows the wall to breathe, which ensures the durability of the work,” adds Michael Simagin.

And in 2015-2016 the master returned the original form 49 panels and framing their cartouches, recreating the lost fragments of paintings and decorations. Recreation and tinting compositions were performed in the manner and technique of fresco with tempera based on historical materials in the Main state archives and the photo archive of the Museum of architecture.